| September | October
| November |
| New
Documentary film Series | Visions
& Decisions |
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September 2004
VIDEO
Friday, September 10 at 8 p.m. at Squeaky
Wheel
DROWNED OUT directed by Franny
Armstrong (2002, 75 min., UK) and A/S/L (Age/Sex/Location),
an installation by the Raqs
Media Collective
$6 general, $5 Hallwalls/Squeaky Wheel/Just Buffalo members
Three choices: move to the slums in the city, accept a place at
a resettlement site or stay at home and drown. The people of Jalsindhi
in central India must make a decision fast. In the next few weeks,
their village will disappear underwater as the giant Narmada Dam
fills. Bestselling author Arundhati Roy joins the fight against
the dam and asks the difficult questions. Will the water go to
poor farmers or to rich industrialists? What happened to the 16
million people displaced by fifty years of dam building? Why should
we care? DROWNED OUT offers some reasons.
In addition to the screening, A/S/L,
a video and text installation by the Raqs Media Collective on
the lives of women workers in the online data outsourcing industry
in India, will be accessible before and after the video screening.
The installation is a meditation on the new, gendered geography
of online labor, on the everyday journeys into cyberspace that
hundreds of thousands of laboring women make across the world.
This evening’s program was scheduled in conjunction with
the Just
Buffalo sponsored visit of author Arundhati Roy on September
8 & 9, 2004.
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VIDEO
Friday, September 17 & 24 at 8 p.m. at Medaille College
THE 2003-2004 UK/CANADIAN VIDEO EXCHANGE
Hallwalls will present both programs at Medaille
College’s Screening Room, 18 Agassiz Circle (Parkside
Ave. and Rt.198), in Buffalo.
Tickets for each screening are $7 general, $5 students/seniors
and $4 Hallwalls members.
Tickets for both screenings are $10 general, $7 students/seniors
and $6 Hallwalls members.
September 17
UK Video Programme 1/ Canadian Video Programme 1
20 short videos will be screened by various artists, including
Steve Reinke (Sad Disco Fantasia), deco
dawson (The Arm Wrestling Bear Movie),
Nelson Henricks & David Clark (My Heart
the Bureaucrat), Sarah Carne (You in
Love? You gonna be), Steve Hawley (Amen
ICA Cineam), and Effie Gibson (Spin).
September 24
UK Video Programme 2/ Canadian Video Programme 2
23 short videos will be screened by various artists, including
Lily Markiewicz (A Conversation- About Work),
Paul Bush (Dr. Jekyll and Mr. Hyde),
Session Video (Rock Session), Lisa Steele
(The Ballad of Dan Peoples), and Velveeta
Crisp (Toilet Mouth).
Co-sponsored by Canadian Consulate General / Consulat général
du Canada
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FILM
Saturday, September 25 at 7 p.m. at MAFAC
639 Main St.
THE DOG WALKER (2001, 90 min.)
written and directed by Jacques
Thelemaque
Tickets are available in advance for $10 (screening only), $30
(screening and party at Sphere). On the night of the event, tickets
are $15 (screening only), $40 (screening and party).
The Los Angeles dogwalking scene provides the colorful backdrop
to the story of Ellie Moore (played by Buffalo native Diane Gaidry),
on the run from her latest abusive boyfriend, who finds herself
broke and broken on the lonely streets of L.A. Rescue comes in
the unlikely form of Betsy Wright (Pamela Gordon), a misanthropic
dogwalker in need of temporary help with her business and struggling
with her own dark past.
Screening co-sponsored by Crisis Services, the Market Arcade Film
& Arts Center, Sphere, Hallwalls, and the SPCA in recognition
of Domestic Violence and Breast Cancer Awareness Month. The Post
Party will take place from 9 –11 pm at Sphere, with the
director and Diane Gaidry present.
For more information and ticket sales, please contact Jessica
Pirro at 834-2310 Ext. 150 or Carolyn Zimmermann at 876-4323.
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Hallwalls presents
NEW DOCUMENTARY FILM SERIES
at MAFAC
639 Main St.
September 24 – October 7 at 5 pm & 8 pm
THE CORPORATION (2003, 145 min., Canada)
by Mark Achbar, Jennifer Abbott and Joel Bakan.
One hundred and fifty years ago, the corporation was a relatively
insignificant entity. Today, it is a vivid, dramatic and pervasive
presence in all our lives. Like the Church, the Monarchy and the
Communist Party in other times and places, the corporation is
today’s dominant institution. But history humbles dominant
institutions. All have been crushed, belittled or absorbed into
some new order. The corporation is unlikely to be the first to
defy history. Based on Bakan’s book The
Corporation: The Pathological Pursuit of Profit and Power,
this film is a timely, critical inquiry that invites CEOs, whistle-blowers,
brokers, gurus, spies, players, pawns and pundits on a graphic
and engaging quest to reveal the corporation’s inner workings,
curious history, controversial impacts and possible futures. Featuring
illuminating interviews with Noam Chomsky, Michael Moore, Howard
Zinn and many others, THE CORPORATION
charts the spectacular rise of an institution aimed at achieving
specific economic goals as it also recounts victories against
this apparently invincible force.
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NEW DOCUMENTARY FILM SERIES
at MAFAC
639 Main St.
Thursday September 30, one screening only at 8 p.m.
DEATH IN GAZA (2004, 79 min., U.K.)
by James Miller (deceased) & Mischa Manson-Smith
introduced by Bruce
Jackson, Professor of English and American Studies,
University at Buffalo
DEATH IN GAZA is the shocking story
that award-winning filmmaker James Miller gave his life to tell,
the story of Palestinian youngsters maturing in a world where
the greatest glory is to die a martyr. In May 2003, Miller traveled
with reporter Saira Shah to track the lives of kids living in
the area's most desperate borough. Ahmed is a soccer-loving 12-year-old
who, after witnessing the death of his good friend, falls in with
a group of paramilitaries. Mohammed is timid but devoted, and
helps him fashion bombs to throw at Israeli tanks. Sixteen-year-old
Najla has seen eight family members killed, and lives in constant
fear that either her house will be destroyed or another loved
one will be murdered. In the midst of documenting these heartbreaking
stories, Miller was shot dead by an Israeli soldier. His last
effort on earth and his untimely death fully demonstrate the incomprehensibility
of this conflict and the importance of presenting this story to
the world. (DEATH IN GAZA received the
2004 Hot Docs Audience Award)
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October 2004
NEW DOCUMENTARY FILM SERIES
at MAFAC
639 Main St.
Thursday, October 7, one screening only at 8 p.m.
THE FIVE OBSTRUCTIONS (2003, 90 min., Denmark)
by Lars von Trier & Jørgen Leth
Introduced by Joanna Raczynska, Hallwalls
Together with Danish documentary film veteran Jørgen Leth,
Lars von Trier enters the world of documentary filmmaking and takes
on the task of challenging conventional ways of documentary and
film production. In 1967 Jørgen Leth made a 13 min. short
film called THE PERFECT HUMAN, a document
on human behavior. In the year 2000, Trier challenged Leth to make
five remakes of this film. Trier put forward obstructions, constraining
Leth to re-think the story and the characters of the original film.
Playing the naive anthropologist, Leth attempts to embrace the cunning
challenges set forth by the devious and sneaky Trier and must deal
with the limitations, commands and prohibitions. It is a game full
of traps and vicious turns. THE FIVE OBSTRUCTIONS
is an investigative journey into the phenomenon of filmmaking and
a comment on the power of creativity in the face of imposed constraints.
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NEW
DOCUMENTARY FILM SERIES
at MAFAC
639 Main St.
Thursday, October 14, one screening only at 8 pm
HIJACKING CATASTROPHE:
9/11, FEAR AND THE SELLING OF AMERICAN EMPIRE
(2004, 34 min., USA)
by Jeremy Earp & Sut Jhally
followed by
BUSH’S BRAIN (2004, 80 min.,
USA)
by Joseph Mealey and Michael Shoob
Introduced by Michael Niman, Assistant Professor
of Communication, Buffalo State College
This screening is also part of the Visions
and Decisions Festival.
Tonight’s dual screening begins with a 34 minute version
of the film HIJACKING CATASTROPHY, a
political documentary distributed by the Media Education
Foundation that examines how a radical fringe of the
Republican Party has used the trauma of the 9/11 terror attacks
to advance a pre-existing agenda to radically transform American
foreign policy while rolling back civil liberties and social programs
at home.
The feature presentation, BUSH’S BRAIN,
introduces the country to Karl Rove, the most
powerful political figure America has had but known so little
about, the Wizard of Oz behind the curtain of today’s Presidential
politics. He is a man who has almost single-handedly shaped the
policies of our nation: a brilliant tactician, ruthless opponent,
savvy policy maker, and one of the greatest political minds in
the history of the Republic. The film is based on the best-selling
book BUSH’S BRAIN (Wiley, 2003)
by journalists James Moore and Wayne Slater.
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NEW
DOCUMENTARY FILM SERIES
at MAFAC
639 Main St.
Thursday, October 21, one screening only at 8 p.m.
THE YES MEN (2004, 80 min., USA)
by Dan Olman, Sarah Price, and Chris Smith
CRITICAL
ART ENSEMBLE DEFENSE FUND FUNDRAISER!
Screening with special, surprise guests!
In addition to the regular ticket cost, audience members will
have the opportunity to make donations to the Critical
Art Ensemble Defense Fund.
THE YES MEN follows a couple of anti-corporate
activist-pranksters as they impersonate the World Trade Organization
at business conferences around the world. The story begins with
Andy and Mike setting up a website that looks just like that of
the World Trade Organization. Some visitors don’t notice
the site is a fake, and send e-mail invitations meant for the
real WTO. Mike and Andy play along with the ruse and soon find
themselves attending important functions as WTO representatives.
Delighted to speak as the organization they oppose, Andy and Mike
don thrift-store suits and set out to shock their unwitting audiences
with darkly comic satires on global free trade. Weirdly, the experts
don’t notice the joke and seem to agree with every terrible
idea the two can come up with. Exhausted by their failed attempts
to shock, Mike and Andy change their strategy completely, and
take a whole new approach for one final lecture.
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VIDEO
Friday, October 15 at 8 p.m. at Squeaky
Wheel
DEEDEE HALLECK presents selections
from Deep
Dish TV’s SHOCKING AND AWFUL
series
$6 general, $5 Hallwalls and Squeaky Wheel members
Co-sponsored by Hallwalls, Squeaky Wheel, the Experimental Television
Center, and the Central New York Programmers Group. This event
is being held in conjunction with Squeaky Wheel’s Visions
& Decisions Festival.
Award winning filmmaker, media activist, and founding member of
Paper Tiger Television and Deep Dish TV, DeeDee Halleck will present
three programs from the SHOCKING AND AWFUL
series. These programs are part of a 13 week series produced by
Deep Dish Television, a non-profit, founded in 1986, which produces
alternative programming for community access channels and activist
organizations in the US and around the world.
Tonight’s screening will include THE
WORLD SAYS NO TO WAR, which documents the massive protests
of tens of millions of people throughout the world in opposition
to the U.S. invasion of Iraq; ERASING MEMORY,
which describes the cultural destruction of Iraq during the war
and occupation by the US in the past two years; THE
ART OF RESISTANCE, which presents the growing impact of
artists and cultural performances that have invigorated and enlivened
resistance to America’s imperial war on Iraq; as well as
footage of resistance to this year’s Republican National
Convention.
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FILM
Friday October 29 at 8 p.m.
PHIL SOLOMON in person at Squeaky
Wheel
$6 general, $5 students/seniors, $4 members.
Co-sponsored by the Central New York Programmers Group and the
Experimental Television Center.
Phil
Solomon teaches film aesthetics and film production at the
University of Colorado at Boulder. Since arriving in Boulder in
1991 he produced, among other films, several collaborations with
colleague Stan Brakhage, including ELEMENTARY
PHRASES (1994), CONCRESCENCE
(1996) and SEASONS... (2000-01). He
is currently working on a feature length series of short films
entitled THE TWILIGHT PSALMS, a cinematic
poem to the 20th century.
Program (80 minutes total):
REMAINS TO BE SEEN,
1989 (revised 1994)
Using chemical and optical treatments to coat the film with a
limpid membrane of swimming crystals, coagulating into silver
recall, then dissolving somewhere between the Operating Theatre,
The Waterfall, and the Great Plains.
THE EXQUISITE HOUR,
1989 (revised 1994)
Partly a lullaby for the dying, partly a lament at the dusk of
cinema. Based on the song by Reynaldo Hahn and Paul Verlaine.
THE SNOWMAN, 1995
A meditation on memory, burial and decay…a belated kaddish
for my father.
SEASONS..., 2002 (by
Phil Solomon and Stan Brakhage)
Brakhage's extraordinary hand carvings into the film emulsion
illuminated and textured by Solomon's lighting, inspired by the
woodcuts of Hiroshige. A subset of Brakhage's larger umbrella
work entitled "...".
PSALM III: NIGHT OF THE MEEK,
2002
A highly personal interpretation of the Jewish legend of The Golem,
a moving painting, and a uniquely treated experimental film with
a photochemically charged, dynamic surface.
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FILM/ VIDEO
Saturday October 30 at 8 p.m. at Squeaky
Wheel
MATT MCCORMICK in person
$5 general, $4 Hallwalls/Squeaky Wheel members
Co-sponsored by Hallwalls, Squeaky Wheel, and the Experimental
Television Center.
Matt
McCormick lives in Portland Oregon and has been making experimental
films for over twelve years. He’s also the founder of Peripheral
Produce, an innovative upstart video distributor specializing
in short experimental work, and the director of the Portland Documentary
and eXperimental Film Festival, Portland’s premiere venue
for experimental, documentary, and otherwise obscure contemporary
cinema. Matt will stop at Squeaky Wheel on his East coast tour
to screen several of his works including SINCERELY,
JOE P. BEAR (1999), THE SUBCONSCIOUS
ART OF GRAFFITI REMOVAL (2001), and AMERICAN
NUTRIA (2003).
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November 2004
FILM/VIDEO
Thursday November 4 at 7:30 p.m. at UB
North Campus
ATTENTION! LIGHT! Short works by Paul Sharits
and Jozef Robakowski
Screening Room in the Center for the Fine Arts
Suggested donation: $5
Screening co-sponsored by UB's Department
of Media Study, and CEC
Artslink. Lukasz Ronduda, New Media Curator at the Center
for Contemporary Art in Warsaw, Poland will be in residence
at Hallwalls this fall, thanks to a generous award from CEC Artslink.
During the early 1980s, American artist Paul
Sharits sent Josef
Robakowski plans for a film entitled ATTENTION: LIGHT!, with
the suggestion that Robakowski produce it in Poland. The film
was to be a visual rendition of the Mazurka in F minor, Op. 68.#4
by Frederick Chopin. Unfortunately, due to unmitigated circumstances
including the imposition of martial law in Poland, Robakowski
was unable to fulfill Sharits’ wish. Only now, over twenty
years later, has Robakowski been able to complete their film.
This unique project is the highlight of the program ATTENTION:
LIGHT!, organized by Lukasz Ronduda and Joanna Raczynska. The
accompanying black and white publication ATTENTION! LIGHT! will
be available at the screening and on Hallwalls website store this
fall.
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RESOLUTIONS 2004 now 2005!
Dates to be determined.
Due to unforeseeable delays in the renovation of our space in
the Asbury Delaware Church in downtown Buffalo, our first annual
RESOLUTIONS festival will now take place
in early 2005. More info...
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