UK-based Canadian artist Kelly Richardson's video work focuses on the resolution of the sublime from ordinary or flawed moments, amassing an accumulation of often conflicting sensations. Richardson is interested in creating comtemplative spaces of rapturous visual allure, loaded with double meaning and exploring the simultaneity of the magnificent and the dreadful. Cinematic language is used as a means of concocting landscapes that are part real, part imagined, a hybrid reality that accentuates and questions our ambiguous place in the world.

www.kellyrichardson.net

Megan Greene's detailed white on black drawings combine the forms of flora, feathers, hair and jewelry in manners Baroque and tribal. The careful topiary-like displays of such feminine ornaments both heighten and belie their frivolity, appearance of purpose and fetishistic quality. Greene's work shows her interest in mammals, birds, deep-sea creatures and insects to an effect reminiscent of Victorian naturalist drawings. These organic elements become ghostly, hermaphroditic and ornamental.

In each drawing, the strange composite of such components suggests themes transcendent of each literal part: of elegance and delicacy mixed with the macabre, of body parts and biological specimen through the incarnation of the prehistoric and futuristic, and of cultural artifact, be it headdress or totem. The subject of these drawings lies in the intentionally ambiguous interplay of these various qualities.

Kinz, Tillou + Feigen Gallery