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341 DELAWARE AVE. BUFFALO, NY 14202
t: 716‑854‑1694  f: 716‑854‑1696

 
 

GALLERY HOURS:
Tuesday–Friday 11:00am–6:00pm

Saturday 11:00am–2:00pm.

Community Events
 

Saturday, April 30, 2011 at 9:00 a.m. - 5:00 p.m.

FREE

UB Arts Management Program, UB Humanities Institute, & Hallwalls present

Ineffably Urban Symposium

Ineffably Urban

Ineffably Urban is a one-day event on Buffalo, its conflicting identities and diverse creative representations, as cases of the urban image today. What is the status of the urban, of the image, of its expressions and discourses in diverse disciplines?

ineffable |inˈefəbəl| adjective
too great or extreme to be expressed or described in words • not to be uttered

This city often defines itself in terms of past glory or else its current struggles; its dysfunctional political culture, troubling social segregation, or its strong and persistent grass-roots base in the fields of culture, education and social justice. These disjoined identities find expression in common narratives of Buffalo, from Mark Goldman’s City on the Edge to Lauren Belfer’s City of Light. Likewise, strategies of fragmentation and of reconstruction – literal and mental – crop up, as they do in other post-industrial cities, in fields ranging from architecture to art and the humanities and social sciences. Between capitulation, nostalgia, demise and reconstruction, the urban image is left decidedly unutterable, undecided, ineffable: both sublime and unspeakable.

This symposium finds inspiration in this situation for a vigorous discussion of the urban image itself between critical discourses today. Beyond a local or regional discourse, Ineffably Urban aims at addressing questions one step removed from the actual city: how can we talk about the city’s “unspokens”? How can we render a picture of Buffalo without destroying that image immediately as we articulate observations and strategies explicitly? What is the “imaginaire” between the faded glory of Buffalo and its contemporary reality?

More specifically, the event aims at contextualizing findings within the broader context of other “formerly urban” cities in the rust belt and elsewhere, by investigating the theoretical narratives, the semiotics of texts and images (writing, photographs, films, video) and the driving social, political, and cultural forces around Buffalo and its urban image.

Much more information on the event, including program and participants, is available at its website.

The program that took place at Hallwalls was presented in person by David Gracon, who moderated a panel discussion with two other former Buffalo grad students "Skyped" in from Oregon.

David Gracon is an Assistant Professor of Communication Studies at Eastern Illinois University, located in Charleston, Illinois. David teaches courses in documentary production, field production, cultural studies, and the political economy of communication. He is currently editing a documentary video about the House of Records, an independent record store located in Eugene, Oregon.   He recently received his doctorate in Communication and Society from the University of Oregon.

Marc Moscato is an artist, curator and activist living in Portland, OR, where he directs the creative cultural center The Dill Pickle Club. His short films and videos have screened at film festivals, theaters and non-traditional spaces across the country, including the New York Underground Film Festival, Chicago Underground Film Festival, Video Mundi Festival and many more. He has more than 10 years experience in marketing and communications, and has worked for Museum of Contemporary Craft, City Club of Portland, Microcosm Publishing, Peripheral Produce and Squeaky Wheel, in addition to directing DIY arts center My House in Eugene, OR, 2001-2003.

Julie Perini is a video artist, writer, and educator originally from Poughkeepsie, New York and living in Portland, Oregon. Her video work has exhibited at the Northwest Film Festival in Portland, Baer Ridgway Exhibitions in San Francisco, Anthology Film Archives in New York City, and other national and international venues. She has had solo exhibitions and screenings in New York City, Ithaca, Buffalo, Rochester, Los Angeles, Portland, Lake Tahoe, and Rome.  Julie’s recent book chapter on how artists create art that promotes progressive social change is part of the collection Uses of Whirlwind: Movement, Movements, and Contemporary Radical Currents in the US, published by AK Press in June 2010.  Julie holds a B.S. from Cornell University and an M.F.A. from the Department of Media Study at the University at Buffalo.  In fall 2011, she will begin teaching in the Art Department at Portland State University as the Assistant Professor of Video Art / Time-based Media.