Media Arts Program
 

Thursday, April 11, 1991

INFERMENTAL 9: VIENNA EDITION:

Presented at:
Hallwalls

Program #4: A PIECE FROM HOME including HEU/HAY (Thomas Lehner, 1987-88, Austria, 5min); KNIESPEIL/KNEEPLAY (Claus Blume, 1988, West Germany, 3min); WHITE DAWN (Lisa Steele and Kin Tonczak, 1987-88, Canada, 9min); MOMOKILA, 1988, Japan, 10min); HOCHZEIT IM SCHNEE/WEDDING IN THE SNOW (Tjarda Sixma and Michiel Vijselaar, 1986, Netherlands, 4:40min); SZEP ASSZONY — KET VERZIO/BEAUTIFUL WOMAN — TWO VERSIONS (Mihok Barna. 1987, Hungary, 2 X 3:40min) REVOLUTIONARE ETUDE (G. Ostrezov, 1987, UdSSR, 7:30min); LEGEND (Nelson Henricks, 1988, Canada, 14min); MEASURES OF DISTANCE (Mona Hatoum, 1988, Great Britain and Canada, 15min). Program #5: HEAVYWEIGHT TANGO including HERZO BASE EXIT (Graf + zyx, 1986, Austria, 42min) EIN NARRENFEIERTAG/A FOOL'S HOLIDAY (Ilja Frez, 1987, UdSSR); HIDING FROM HOCKNEY (Don Pasquella, 1987, USA, 6imn); THE ASSIGNATION (George Snow, 1988, Great Britain, 12min); ½ MINUTE VIDEO (Christian Ernst, 1988, Canada, 1min); SOMA/WORK IN PROGRESS (Barbara Lattanzi, 1988, USA, 6min); THE COURAGEOUS VIOLENT (Jurg Egli, 1988-88, Sqitzerland, 2:41); VERBAL (Matta Wagnest and Nicolas Eder, 1988, Austria, 8:40min); BEHCA/SPRING (A. Mertvij and E. Jufit, 1987, UdSSR, 10min)


Some publications related to this event:
March and April, 1991 - 1991

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.