Media Arts Program

Wednesday, November 15, 1995

Co-sponsored/co-presented by:
The Department of Media Study and the Department of Architecture, University at Buffalo (UB)

Screening & Panel Discussion

Presented at:
Center For the Arts (CFA) Screening Room 112, University at Buffalo, North Campus

CEC ArtsLink artist-in-residence Maria Zmarz-Koczanowicz will present her controversial 1994 documentary My Road to Feminism, which will be followed by a panel discussion. My Road to Feminism includes interviews with UB professors Isabel Marcus, Claire Kahane, Elizabeth Kennedy, and Carolyn Korsmeyer, who, along with professors Elizabeth C. Cromley and Carol Zemel, visited Poland in 1994 for a month as part of the UB/Jagiellonian University Exchange Program. This film provoked a great deal of discussion when it was shown on Polish television, because of the open manner in which the women talked about their personal and professional lives. Panelists will include Professor Elizabeth C. Cromley, Chair, Dept. of Architecture; Professor Claire Kahane, Dept. of English; Professor Elizabeth Kennedy, Dept. of American Studies; Professor Carolyn Korsmeyer, Dept. of Philosophy; Professor Isabel Marcus, UB Law School; Professor Carol Zemel, Dept. of Art History; and UB Exchange Scholar Margaret Lisowska-Magdziarz, Dept. of Journalism, Jagellonian University, Krakow, Poland. The panel will be moderated by Professor Tony Conrad, Dept. of Media Study, and will be followed by a reception.

Some publications related to this event:
November and December, 1995, and January, 1996 - 1995

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Jan. 10, 2020
through Feb. 28, 2020

Sarah Sutton
Knots and Pulses

This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.

Katie Bell
Abstract Cabinet

Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.