Media Arts Program
 

Saturday, July 8, 2006

Waiting and Wanting: Short films and videos presented by guest curator Karyn Sandlos

Presented at:
Hallwalls

Waiting and Wanting
Short films and videos presented
by guest curator Karyn Sandlos



program:
Moohead by Deirdre Logue (1 min./Canada/16mm/video/1999)
W.C. by Ana Mazhari (8 min./Colombia/video/2001)
Contemporary Artist by Ximena Cuevas (5 min./Mexico,USA/video/1999)
Anal Masturbation and Object Loss by Steve Reinke (6 min./Canada/video/2002)
Family Outing by Mark Bradley (5.5 min/Canada/16mm/2001)
Her Glacial Speed by Eve Heller (5.5 min./USA/16mm/2001)
Weighing...and Wanting by William Kentridge (6.5 min./South Africa/video/1997)
Red Buffalo Skydive by Judith Norris (3.5 min./Canada/video/2001)
Christian Porn by Roy Mitchell (6 min./Canada/video/2000)
Cinema and Visual Pleasure by Annie MacDonell (9 min./Canada, France/16mm/2001)

Guest curator Karyn Sandlos is a Ph.D. candidate in the Faculty of Education at York University, a curator, writer and independent filmmaker. She is the co-editor (with Mike Hoolboom) of the volume of writings on autobiographical artists' film and video, Landscape with Shipwreck: First-Person Cinema and the Films of Phillip Hoffman (2001). She is the Chair of the Board of Directors of the Images Festival, and a former member of the Toronto programming collective Pleasure Dome. The Waitingƒand Wanting tour will visit six venues in 2004-06: The Agnes Etherington Center (Kingston); Available Light Screening Collective (Ottawa); The Film Pool (Regina); Video Pool (Winnipeg); The Mount St. Vincent University Art Gallery (Halifax); and Hallwalls (Buffalo).


Some publications related to this event:
July and August, 2006 - 2006

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.