Featured Artists:
Olafur Eliasson | Nathalie Djurberg & Hans Berg | Susan Philipsz | Hiwa K

BERLIN—A city still in the midst of a post-Cold War cultural and economic rebirth, since the 1990s Berlin has become a haven for artists from all over the world—a free zone where experimentation, individual expression, and international influences converge. From creating large-scale public projects to intimately personal ones, the artists in this episode demonstrate the diversity of practice and sensibilities in the German capital, expose its complicated history of war and migration, and convey hopes for finding systems that foster a better tomorrow.

OLAFUR ELIASSON was born in Copenhagen, Denmark, in 1967. Moving seamlessly from his early photographs to sculpture, immersive environments, large-scale public interventions, and architectural projects, Eliasson uses simple natural elements—light, color, water, and movement—to alter viewers' sensory perceptions. Predicated on the idea that "art does not end where the real world begins," Eliasson's work lives in the active exchange between his creations and the viewers.

NATHALIE DJURBERG was born in Lysekil, Sweden, in 1978. HANS BERG was born in Rättvik, Sweden, in 1978. Mixing sculpture, sound, and filmmaking, the duo has collaborated since 2004 to create absurd and bawdy clay-animation films and installations. Their work exposes an undercurrent of psychologically charged human and animalistic desires with the sweet veneer of a childhood fairytale.

SUSAN PHILIPSZ was born in Glasgow, Scotland, in 1965. Philipsz's work explores the psychological and sculptural dimensions of sound, with recordings of her voice and a variety of reworked musical compositions. Interested in the power of sound to trigger emotion, Philipsz responds to the architecture and history of the spaces in which her pieces are installed; her works prompt introspection and an examination of personal and collective memories, losses, and yearnings.

HIWA K was born in Sulaymaniyah in Kurdistan, Iraq, in 1975. His sculptures, videos, and performances slyly weave together anecdotes from friends and family members with his biography. As a Kurdish Iraqi and immigrant to Germany, Hiwa K draws from personal memories to tell stories of our ongoing global crises: war, migration, and the effects of neoliberalism and colonialism. Documenting with video, the artist inserts himself into his works, which often involve participatory dimensions (such as group cooking classes, musical performances, and political protests) and collaborations with a wide cast of players, from Iraqi philosophers to Venetian metal casters. Largely self-taught, his multidisciplinary approach draws upon his peer-to-peer education in Iraq as well as his musical training under the Flamenco master, Paco Peña.