Literature Program
 

Friday, May 3 at 4:00 p.m.

Dimitri Anastasopoulos

Scholars @ Hallwalls

Hallwalls Contemporary Arts Center, a space for experimental art, music, and film located in the heart of downtown Buffalo at Delaware and Tupper, is the perfect setting for the eighth year of the Humanities Institute's Scholars@Hallwalls lecture series. These monthly presentations feature one fellow's research in an engaging lecture with lively follow-up conversation. This year's lineup highlights the interdisciplinary range of humanities research at UB.

Talks are on Friday afternoons at 4 pm and are free and open to the public. Complimentary wine and hors d'oeuvres are served. Please join us for any or all of the Scholars@Hallwalls talks!

"Oia: Perils of American Tourist Children in Greece"

Dimitri Anastasopoulos, English

Oia: Perils of American Tourist Children in Greece (a docufiction) incorporates political analysis of the Greek economic and political crises (2008-2018) together with nonfiction travel writing, cultural critique, and a recasting of Plato's Cave. Fictional narrative in Oia also sits in with a range of cultural narratives, political arguments, and social discourses, which have come to dominate the story of Greece in the last decade. While exploring the use of public and private rhetorical formulations on the crises, the novel recasts media and political narratives into the space of fiction in order to contextualize political responses to the crises essentially as dramatic performances cloaking political ends.

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation ...