HEY G - 2000_1.ForWeb.jpg January, 2000. - Hallwalls
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January, 2000.


Hallwalls Calendar: January, 2000.

Artists associated with this publication:
Kenny Lerner, Peter Cook, Flying Words Project, Andrea Parkins, Rob Brown, Karen Borca, Joe Morris, Paul Sharits, Olenka Bodnarskyj-Gunn, Jung Hyang Kim, Amy Borenzo, Yoonmi Nam, Alberto Rey, Jackie Felix, John Knecht, George Kuchar, Marcello Mastroianni, Federico Fellini, Roberto Cicutto, Klaus Kinski, Werner Herzog, Ghen Dennis, Corin Redgrave, Greta Schiller, Anna Maria Tato, Barbara Sonneborn, Stephanie Gray, Bernie Roddy, Curt McDowell, Greg Suni Childs


Some events connected to this publication:
November 13, 1999 - ALBERTO REY
November 13, 1999 - JUNG HYANG KIM
January 7, 2000 - LONG NIGHTS BRIGHT SCREENS
January 8, 2000 - LONG NIGHTS BRIGHT SCREENS
January 10, 2000 - VISUAL ARTS COMMITTEE OPEN MEETING
January 14, 2000 - LONG NIGHTS BRIGHT SCREENS
January 14, 2000 - WISE OLD CORN
January 16, 2000 - LONG NIGHTS BRIGHT SCREENS
January 17, 2000 - MANY RINGS
January 21, 2000 - Stephanie Gray LONG NIGHTS BRIGHT SCREENS
January 22, 2000 - LONG NIGHTS BRIGHT SCREENS
January 23, 2000 - LONG NIGHTS BRIGHT SCREENS
January 28, 2000 - Greta Schiller LONG NIGHTS BRIGHT SCREENS
January 28, 2000 - THE CINEMATIC CESSPOOL
January 29, 2000 - ANNUAL MEMBERS MEETING
January 29, 2000 - BLOCKBUSTER
January 29, 2000 - JACKIE FELIX THE MOON IS A MOBIUS
January 29, 2000 - OPEN SLIDE FORUM
January 29, 2000 - SYMMETRIES
January 30, 2000 - LONG NIGHTS BRIGHT SCREENS
February 19, 2000 - HOT CHILI, COLD BEER



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IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.