HEY G - 2000_10.ForWeb.jpg October, 2000. - Hallwalls
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October, 2000.


Hallwalls Calendar: October, 2000.

Artists associated with this publication:
Anders Astrand, Steve Reich, Vienna Saxophone Quartet, Anthony Miranda, Jonathan Golove, Mark Engebretson, Anthony Braxton, Ken McIntyre, Kenny Barron, Curtis Fuller, Dave Douglas, Mark Feldman, Gerry Hemingway, Billy Martin, Pheeroan akLaff, Thomas Chapin, Susie Ibarra, Sonny Rhodes, Sonny Simmons, Billy Higgins, Makanda Ken McIntyre Ensemble, Grachan Moncur Big Band, Ted Daniel and Energy, Zane Massey, The Liberation Suite, Michael Jefry Stevens, Joe Fonda, Paul Smoker, Harvey Sorgen, Michael Marcus Trio, Michael Marcus, Greg Piontek, John Bacon Jr., Fatima El-Tayeb, Jacqueline Goss, Stephanie Gray, Angelina Maccarone, Donigan Cumming, Lois Weaver, Jackie Felix, Jung Hyang Kim, Alberto Rey, Larissa Marangoni, Micah Lexier, Charles Goldman, Olenka Bodnarskyj-Gunn, Holly Hughes


Some events connected to this publication:
September 16, 2000 - MICAH LEXIER INCREMENT OF ONE, 2
October 5, 2000 - HOLLY HUGHES PREACHING TO THE PERVERTED
October 5, 2000 - WORKS BY DONIGAN CUMMING
October 6, 2000 - THE FONDA/STEVENS GROUP
October 6, 2000 - HOLLY HUGHES PREACHING TO THE PERVERTED
October 7, 2000 - HOLLY HUGHES PREACHING TO THE PERVERTED
October 8, 2000 - HOLLY HUGHES PREACHING TO THE PERVERTED
October 11, 2000 - CHIAPAS MEDIA PROJECT FILMS
October 12, 2000 - FATIMA EL-TAYEB
October 13, 2000 - FATIMA EL-TAYEB
October 14, 2000 - MARK ENGEBRETSON AND FRIENDS
October 20, 2000 - WORDS FROM UNSEEN LIPS
October 21, 2000 - CONSUMING PASSIONS
October 27, 2000 - MICHAEL MARCUS TRIO



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IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.