HEY G - 2005.JamesBlue.ForWeb.jpg THE WORK OF JAMES BLUE A RETROSPECTIVE - Hallwalls
publications
 
THE WORK OF JAMES BLUE A RETROSPECTIVE

Published in 2005
Curated by Dr. Gerald O'Grady
Essays by Gerald O'Grady, Elmer Ploetz

THE WORK OF JAMES BLUE A RETROSPECTIVE (October 13-October 16, 2005) Hallwalls Inc, Burchfield-Penney Art Center, Buffalo, NY, 2005. [A twenty-four page booklet published in conjunction with the exhibition of the same title. Includes two introductions by project coordinators Don Metz (Head of Public Programming, Burchfield-Penney Art Center) and Joanna Raczynska (Media Arts Director, Hallwalls); the essays "James Blue's Octagon" by Gerald O'Grady and "James Blue and the Complex Urban Dictionary" by Elmer Ploetz; excerpts from an interview with James Blue by Anythony Bannon. The cover illustration is by Hero Design, and is based on a photograph by Janice Blue.]

Artists associated with this publication:
James Blue


Some events connected to this publication:
October 13, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE
October 13, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE
October 14, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE
October 15, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE
October 15, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE
October 16, 2005 - THE WORK OF JAMES BLUE: A RETROSPECTIVE



Hallwalls' Digital Archives were established to enhance public access to cultural content and are intended for noncommercial use only; copyright for any work on these pages remains with the original artists or their estates.
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.