Hallwalls Timeline
You can search the timeline for past events in one of two ways: look for events that happened on a particular date, a certain month or year, or search for an event using words or phrases.
 

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While we've made every effort to edit the timeline and have cross-referenced our content several times, there are undoubtedly errors. So please, if you see something, say something! We will rely on visitors to the site to help us to not only catch mistakes, but also to fill in the gaps. If you are an artist with more information, if you were in attendance at an event and have documentation that you would like to share with our archives, we invite you to contact us. Just as our events continue, this Hallwalls history project is a work in progress. We look forward to hearing from you!

Many thanks to the team of interns and volunteers who assisted us in this endeavor: Cally Alessi, Hannya Boulos, Ariel Brickman, Justin Chartrand, Amanda Chase, Katie Coyle, Beth Day, Amanda DeBoer, Amanda Dunker, Scott Jarrett, Linda Jules, Tracy Gladkowski, Rachel Good, Lynn Lasota, Lin Shu-Wen, Corey Mansfield, Lisa Muscato, Ayondela Noble, Rachel Patall-David, Shannon Schiedel, Ben Siegel, Talia Silveri, Hodari Vassell, Mariel Volk, Chris Williams, Charlotte Zoda.

The Hallwalls Digital Archives Project is co-produced by Hallwalls' Technical Director Bill Sack and Hallwalls' Media Arts Director Carolyn Tennant. It was made possible by a generous Digitization grant from the New York State Council on the Arts.

 
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IN THE GALLERY
from Sep. 22, 2017
through Nov. 3, 2017
 

David Schirm
All The Glad Variety


Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point ...