Hallwalls Timeline
You can search the timeline for past events in one of two ways: look for events that happened on a particular date, a certain month or year, or search for an event using words or phrases.
 

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While we've made every effort to edit the timeline and have cross-referenced our content several times, there are undoubtedly errors. So please, if you see something, say something! We will rely on visitors to the site to help us to not only catch mistakes, but also to fill in the gaps. If you are an artist with more information, if you were in attendance at an event and have documentation that you would like to share with our archives, we invite you to contact us. Just as our events continue, this Hallwalls history project is a work in progress. We look forward to hearing from you!

Many thanks to the team of interns and volunteers who assisted us in this endeavor: Cally Alessi, Hannya Boulos, Ariel Brickman, Justin Chartrand, Amanda Chase, Katie Coyle, Beth Day, Amanda DeBoer, Amanda Dunker, Scott Jarrett, Linda Jules, Tracy Gladkowski, Rachel Good, Lynn Lasota, Lin Shu-Wen, Corey Mansfield, Lisa Muscato, Ayondela Noble, Rachel Patall-David, Shannon Schiedel, Ben Siegel, Talia Silveri, Cayla Sweeney, Hodari Vassell, Mariel Volk, Chris Williams, Charlotte Zoda.

The Hallwalls Digital Archives Project is co-produced by Hallwalls' Technical Director Bill Sack and Hallwalls' Media Arts Director Carolyn Tennant. It was made possible by a generous Digitization grant from the New York State Council on the Arts.

 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from May. 10, 2019
through Jun. 28, 2019
 

Ashley Smith
Three Fold Form


Inspired by Jungian psychology and mythology, Ashley Smith's process is an alchemical cauldron where personal narratives about womanhood, motherhood, research about art, stories, and myths of the wild woman archetype who represents the instinctive nature of woman are boiled together and transmuted to create abstract sculptural forms and installations that sprout from the wall and grow from the ground.
 

Stephanie Rohlfs
Put One Over


Rohlfs' work springboards from a clean surface appearance and concise formal gestures into a hybridized set of works that make the artist seem part minimalist, part colorist, part humorist. Rohlfs' sculptural gestures are so adroitly specific and contained that each element—a field of color, a drooping form, a slab of shelving—takes on more imminent and emphatic articulation. Like beats in a story or a punchline to a joke, Rohlfs' forms are expressive in appearance while their ...