Visual Arts Program
 

Saturday, February 23, 1991 — Wednesday, March 27, 1991

Co-sponsored/co-presented by:
The Museum Programs of The National Endowment for The Arts and The New York State Council on The Arts; Harlekin Art, Wiesbaden, West Germany; and The Andy Warhol Foundation for The Visual Arts

FLUXATTITUDES

Presented at:
Hallwalls

FLUXATTITUDES

Visual arts exhibition curated by Cornelia Lauf and Susan Hapgood, featuring artists Eric Anderson; Ay-O; Guillaume Bijl; George Brecht; Werner Buttner; Giuseppe Chiari; Philip Corner; Meg Cranston; John Dogg; Nancy Dwyer; Brian Eno; Robert Filliou; Henry Flynt; Ken Friedman; Group Material; Al Hansen; Sohei Hashimoto; Geoff Hendricks; George Herold; Hi Red Center; Dick Higgins; Toshi Ichiyanagi; Joe Jones; Mike Kelley; Martin Kippenberger; Milan Knizak; Alison Knowles; Takehisa Kosugi; Shigeko Kubota; Zini Lardieri; Liz Larner; Gyorgy Ligeti; Jackson Mac Low; George Maciunas; Christian Marclay; Jackie McAllister; Jill McArthur; Larry Miller; Peter Moore; Cady Noland; Yoko Ono; Claes Oldenburg; Nam June Paik; Ben Patterson; Takako Saito; Peter Schmidt; Thomas Schmidt; Carolee Schneemann; Paul Sharits; Chieko (Meiko) Shiomi; Daniel Spoerri; Laura Stein; James Tenney; Rirkrit Tiravanija; Yasunao Tone; Ben Vautier; Wolf Vostell; Yoshimasa Wada; Robert Watts; David Wells, Emmett Williams; and La Monte Young. The exhibit was concieved by artist Rirkrit Tiravanija and is accompanied by a catalogue constructed by Nancy DwyerThe exhibition went on to travel to The New Museum of Contemporary Art (NYC) September 27, 1992–January 3, 1993. [The printed catalog dates the NYC run of the show as May 10–August 16, 1992, so evidently it was postponed a few months.]

 

 

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
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GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.