Visual Arts Program

Saturday, January 25, 1997 — Friday, February 28, 1997


Presented at:

The 1997 Annual Hallwalls Members Show based around types of art made from boxes, books and sacred/secular shrines. Includes the following artists; Audrey Barrett-Gleason; Steve Baskin; Linda Benincasa; Jappie King Black; Olenka Bodnarskyj; Ann N. Bonte; Kastle Brill; Keith Broadhurst; Diane Bush; Patricia Carter; Chaney; William Y. Cooper; Doreen E. DeBoth; Paula Dolega; Alice Dudko; Anne Dunsky-Kacnitz; Raymond Federman; Joan Fitzgerald aka Phillip Florin; Paul Francis; Robert K. Freeland; Eric Gansworth; George Gilham; Robert Gillette; Glenn Graver; Rebecca Hackermann aka Bill Hoag; Lynn M. Hodde; Bob Holland; William R. Howe; Cheryl Jackson; Janet Jackson; Chris Keinke; Bonnie Koch; Nicole Kowalski; Mark Lavatelli; Joel Lewitzky; Julie Lewitzky; Catherine S. Linder; Polly Little; Rosemary K. Lyons; Ellen Mahaffy; Calvert Maurer; Elizabeth McDade; Christopher McGee; Beth McReynolds; Lillian Mendez; Michael Miller; Anne Murphy; Michael Lee Myers; Susan Nowak; Mary Lynn Nutting; Cathy Pardike; Nancy J. Parisi; Sakura Paterniti; Beth Piatkowski; Nancy Piatkowski; Laurence R. Plant; Daniel Predmore; Mike Prem; Jame Purcell; Cherry Rahn; Stephen Rovner; Robert Scalise; M.G. chermerhorn; Kathleen Sherin; Diana Slatin; Myles Slatin aka Todd Smith; Joanna Spitzner; Rebecca J. Stephany; Cynthia Van Ness; Alfonso Volo; Kurt Von Voetsch; Susan Webb Tregay aka Franz Weldgen; Bradley Widman; Susan Wilke; Gary L. Wolfe; Thomas Wozniak; Mary Wyrick; Lori Zimmer; Walter Zimmerman.

Some publications related to this event:
December, 1996 and January, 1997 - 1996

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Jan. 10, 2020
through Feb. 28, 2020

Sarah Sutton
Knots and Pulses

This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.

Katie Bell
Abstract Cabinet

Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.