Visual Arts Program

Saturday, January 24, 1998 — Friday, March 20, 1998


Presented at:

Hallwalls 24th Annual Members Show, dedicated to Hallwalls member Daniel M. Kurdziel (1956-1997) featuring works by: 

Bruce Adams, Jane Ingram Allen, Joanna Angie, Olenka Bodnarsky, Ann Bonte, Anne Borden, Richard Brox, Susan Budash, Tony Conrad & Alex Gelencser, Cyd Cox (with Tim Newell, Lauren Winslow, Zemo Trevathan, Joseph Baker, Jessica Rasp & Anthony Brown), Susan Dawson, Doreen E. DeBoth, Anne Dunsky-Kalnitz, Donna Jordan Dusel, Donna Fierle, Eric Gansworth, Jonathan Grassi, Joe Grega, Debbie Hill, aka Bill Hoag, Robert John Holland, Krista Ivy & D'Arcy Curwen, Jamie Kubala, Daniel M. Kurdziel, Barbara Lattanzi, Mark Lavatelli, Catherine Linder, Polly Little, Calvert Maurer, Wesley McReynolds, Diane Menchetti, Gail Mentlik & Jody Lafond, Anne Murphy, Anne Neville, Martha J. O'Connor, Nancy J. Parisi, Susan J. Petrella, Nancy Piatkowski, Larry Plant, Samuel J. Pontillo, Mike Prem, Roger Rapp, Rena Reisman, Chary L. Robbins, Kyoko Roszmann, Robert Scalise, Leah Schwah, Diana Slatin, RH Stamps, Roger Trietley, Joel Varland, Alfonso Volo, Mary Weig, Thomas Wozniak, Thea Zastempowski, Walter Zimmerman

Some publications related to this event:
February, 1998 - 1998
March, 1998 - 1998

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Jan. 10, 2020
through Feb. 28, 2020

Sarah Sutton
Knots and Pulses

This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.

Katie Bell
Abstract Cabinet

Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.