Visual Arts Program
 

Saturday, March 17, 2001 — Friday, April 20, 2001

Co-sponsored/co-presented by:
International Studio Program grants were sponsored by Hallwalls and funded by the Visual Arts Program of the New York State Council on the Arts

MARY LUM

Presented at:
Hallwalls

Solo exhibitions featuring Mary Lum's 201 FILMSTRIPS. AND PSYCHOANALYSIS IN COMBINATION WITH PHOTOGRAPHS OF THE ARTIST BY OTHER PERSONS

This year’s exhibition features works by 1999 International Studio Program Residency visual artists in residence Mary Lum and Scott McCarney. Mary Lum developed a new body of work that consists of everyday snapshots of city structures selectively translated into paintings, drawings, and constructions. Scott McCarney created several new series of mixed media works that focus on McCarney’s personal experiences, such as a mid-life project entitled "Coming to Terms," and "Who’s Who in America," which is based on his daily encounters as the only American artist of fourteen ISP artists in residence.


Some publications related to this event:
April, 2001. - 2001
March, 2001 - 2001

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.