Visual Arts Program
 

Saturday, January 12, 2002 — Friday, February 1, 2002

CASINO BOOGIE

Presented at:
Hallwalls

Annual members' show with work by John Shera (TWO-BIT GAME); Mary Louise Boyer (BUFFALO LOST); Tom Huff (WHO'S GAME); Onondagas Clint Shenandoah, Frank B. Hyde, Alfonso Volo (CASTINGS); Patricia Carter (STUDY FOR CHANCE AND ADVARICE); Gerald Mead, Mary Begley (ROULETTE WHEEL OF DESIRE); R.D. Schroeck (PRR); Maurice Rutkove (LOSING HANDS); Cathy Pardike, Marie Claude Pratte (BONNE CHANCE); Bruce Adams, Wilhemina Godfrey (ONE ARMED BANDITS); Jani Benjamins; Dennis Bertram; Joe Brittain; Diane Bush; Jean Cumbo; Doreen DeBoth; Liz Drumm; Jackie Felix; A.J. Fries; Gayle Gorman; Jedd Haas; Cheryl Jackson; Becky Koenig; Mark Lavatelli; Gerald Mead; Pamela Frandina Meheran; Diane Menchetti; Julian Montague; Marjorie Norris; Paricia Pbletz; R.D. Schroeck; Frederick Seaton; Katherine Sehr; Kathleen Sherin; Myles Slatin; Catherine Linder Spencer; Norine Spurling; R.H. Stamps; Alfonso Volo; Mary Weig; Amy Wilson


Some publications related to this event:
January, 2002. - 2002
March, 2002 - 2002

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.