Media Arts Program
 


Friday, October 27, 2006

$7 general, $5 students/seniors, $4 members

Co-sponsored/co-presented by:
The New York Council for The Humanities

PIONEER OF THE MINIMAL: A TONY CONRAD RETROSPECTIVE - Film

Presented at:
Hallwalls

With special guest, Branden W. Joseph, Associate Professor, Department of Art History, Columbia University.

The Flicker (1966, 30 min), Conrad's seminal experimental film, exploits the strobing effect of the cinematic image. Considered a cornerstone of structural filmmaking.

Straight and Narrow (1970, 10 min), made with Beverly Conrad, sound by Terry Riley and John Cale. An extension of the flicker film phenomenon. “Straight and Narrow is a study in subjective color and visual rhythm. Although it is printed on black and white film, the hypnotic pacing of the images will cause viewers to experience a programmed gamut of hallucinatory color effects. Straight And Narrow uses the flicker phenomenon not as an end in itself, but as an effectuator of other related phenomena. In this film the colors which are so illusory in The Flicker are visible and under the programmed control of the filmmaker. Also, by using images which alternate in a vibrating flickering schedule, a new impression of motion and texture is created.” Filmmakers Cooperative

Film Feedback (1972, 14 min), an effort to display the “essential” property of video i.e.: feedback, in terms of film. “Made with a film-feedback team which I directed at Antioch College. Negative image is shot from a small rear-projection screen, the film comes out of the camera continuously (in the dark room) and is immediately processed, dried, and projected on the screen by the team. What are the qualities of film that may be made visible through feedback?” – Tony Conrad

CYCLES 3s AND 7s (1977, 12 min.), “a story: about numbers, the kind machines should like to hear and tell, if they liked.” – Tony Conrad

Screening will be followed by a presentation about Conrad's Flicker films by Branden W. Joseph, Associate Professor, Columbia University and a conversation with Tony Conrad about his work.

Funded in part by the New York Council for the Humanities.

[NOTE: Audio documentation of this event is in Hallwalls archive at the Poetry Collection, a special collection of the State University of New York at Buffalo Libraries.]


Some publications related to this event:
PIONEER OF THE MINIMAL: A TONY CONRAD RETROSPECTIVE - 2006
October, 2006 - 2006

 
 
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IN THE GALLERY
from Nov. 10, 2017
through Dec. 22, 2017
 

Laylah Ali
Paintings and Drawings


Laylah Ali's work explores power dynamics and interpersonal conflict through compositions that position culturally, racially and sexually ambiguous figures in precarious, loaded, and unexpectedly humorous situations. Ali uses concise—even minimal—imagery that is specific in rendering and intent. While there are narratives in Ali's work, they are stories whose open spaces often give them the atmosphere of fables.