Media Arts Program
 


Friday, July 10, 2009 at 8:00 p.m. and 9:30p.m.

$7 general, $5 students/seniors, $4 members

WAYS IN BEING GAY : WAYS IN/BETWEEN GENDER presents:

Rosa von Praunheim

Transexual Menace

Second Screening Just Added!!
Transexual Menace (1996) takes its title from the name of "the most exciting political action group in the USA"—transgendered people who are defining themselves and fighting for their rights. "Transsexual Menace gives viewers remarkable insight into the home and work lives of transsexuals from many cultures and countries, including female-to-male transsexuals and those with families and children. Considered by von Praunheim to be the 'most fascinating [project] in my long life as a filmmaker,' Transsexual Menace is a sensitive and carefully crafted portrait that deals with issues openly and honestly. 'I was able to earn the trust of many who are often reluctant to be interviewed. Courageous people talked to me, who transitioned in such problematic professions as law enforcement and firefighting.'" -www.vdb.org

Rosa Von Praunheim was born Holger Mischwitzky in Riga, Latvia. The name Rosa was chosen to remind people of the pink triangle (rosa winkel) that homosexuals had to wear in the Nazi concentration camps. Since the early 70s, von Praunheim has been a vital contributor to the history of queer cinema, and since 1988, a favorite at Ways In Being Gay. Hallwalls first screened von Praunheim's A Virus Has No Morals in 1986, and in 1994 his collected films were the subject of a major retrospective sponsored by the Goethe House.

 
 
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GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Nov. 10, 2017
through Dec. 22, 2017
 

Laylah Ali
Paintings and Drawings


Laylah Ali's work explores power dynamics and interpersonal conflict through compositions that position culturally, racially and sexually ambiguous figures in precarious, loaded, and unexpectedly humorous situations. Ali uses concise—even minimal—imagery that is specific in rendering and intent. While there are narratives in Ali's work, they are stories whose open spaces often give them the atmosphere of fables.