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341 DELAWARE AVE. BUFFALO, NY 14202
t: 716‑854‑1694  f: 716‑854‑1696

 
 

GALLERY HOURS:
Tuesday–Friday 11:00am–6:00pm

Saturday 11:00am–2:00pm.

Music Program
 

Sunday, April 8, 1984

Co-sponsored/co-presented by:
The University at Buffalo, Department of Media Study

YVAR MIKHASHOFF

Presented at:
Hallwalls

The third concert in the North American New Music Festival 1984 presented by the Department of Music, State University of New York at Buffalo, Pianist Yvar Mikhashoff will present an OLYMPIC PIANO EVENT of seventy works. The concert began at 5 pm and featured: ADVERTISEMENT (Henry Cowell, 1914); THE ALCOTTS (Charles Ives, 1914); PRELUDES (Charles T. Griffes, 1915); BRIDAL LULLABY (Percy Grainger, 1916) AFTERNOON IN CHINA (Leo Ornstein, 1918); SONNETS AND MOODS (Aaron Copland, 1921); SONATIA AND SHIMMY (George Antheil, 1923); THE BANSHEE (Henry Cowell, 1923); IMPROMPTU IN TWO KEYS (George Gershwin, 1923); TWO SENTIMENTAL TANGOS (Virgil Thomson, 1923); STARS AND SUNBURST (Dane, Rudhyar, 1926); PRELUDE (Ruth Crawford, 1928); BLUE VOYAGE (Wallingford Riegger, 1929); PIANO VARIATIONS (Aaron Copland, 1930); MUSIC FOR A FIVE-AND-DIME (Henry Brant, 1932); BLUES (Conlon Nancarrow, 1932); SOUNDPIECE NO. 5 (John Becker, 1937); CHOPIN IN THE CITRUS BELT (E. Harris, 1938); INVENTION NO. 6 (Otto Luening, 1938); TRACERIES (William Grant Still, 1939); TWO SPANISH PORTRAITS (Virgil Thomson, 1940); HAWTHORNE (Charles Ives, 1941); EVOCATIONS (Charles Ruggles, 1941); PRIMITIVE (John Cage, 1942); ANNIVESARIES (Leonard Bernstein, 1943); PIANO SONATA NO, 5: ADAGIO (Jack Beeson, 1945); AMERICAN BALLADS (Roy Harris, 1945); SUITE FOR A TOY PIANO/IN A LANDSCAPE (John Cage, 1948); PIANO SONATA: ALLEGRO (Johnson, 1948); VALENTINE WALTZES (George Antheil, 1949); PIANO SONATA: ALLERGO (Samuel Barber, 1949); OBEISANCE TO A LUCITE PRISM (Peggy Glanville-Hicks, 1949); BLUE TRIANGLE (Lejaren Hiller, 1949); TONE CLUSTERS (Wallingford Riegger, 1949); FOLIO: DECEMBER 1952 (Earle Brown, 1952); INTERMISSION 5 (Morton Feldman, 1952); FOR PIANO I (Christian Wolff, 1952); CONCERT (John Cage, 1958); PIANO FANTASY (Donald Martino, 1958); BLUES (Morton Gould, 1963; VISIONARY LANDSCAPES (Alan Hovhaness, 1965); PIANO INTRODUCTION (Frank Zappa, 1969); SYNCHRONISMS NO. 6 (Mario Davidovsky, 1970); MAKROKOSMOS: EXCERPTS (George Crumb, 1974); WALTZ IN MEMORIAM RAVEL (Robert Moran, 1976); MINUTE WALTZ (Milton Babbitt, 1977); 49 WALTZES (John Cage, 1977); DEJVALSE (Tom Constanten, 1977); TITLES WALTZ: AFTER THE MAX STEINER (Fennimore, 1977); MODERN LOVE WALTZ (Philip Glass, 1977); WALTZ FOR EVELYN HINRICHSEN (Lou Harrison, 1977); PIANO PIECE NO. 40 (Fredric Rzewski, 1977); FOR A HAPPY OCCASION (Virgil Thomson, 1977); LOVESONG WALTZ (Francis Thorne, 1977); RED GARNET WALTZ (Joan Tower, 1977); SOLO (Lukas Foss, 1981); PRELUDES (Christian Wolff, 1982); SONATA CONCERTANTE (Austin Larry, 1983); HOPE STREET TUNNEL BLUES (Alvin Curran, 1983); PROCESSIONAL (Dane Rudhyar, 1983); PORTRAITS (Virgil Thomson, 1983); CONCERTORAMA TOCCATA (James Sellars, 1984); NOCTUNE (Nils Vigeland, 1984)


Some publications related to this event:
April, 1984. - 1984