Music Program
 


Sunday, April 13, 1986

Co-sponsored/co-presented by:
The North American New Music Festival

88 TANGOS, INTERNATIONAL TANGO MARATHON

Presented at:
Studio Arena Theatre

Played by Yvar Mikhashoff (pianist). Slide and film presentation by Bud Jacobs with pianist Yvar Mikhashoff

Program order:
TANGO D'ANTAN (Dane Rudhyar, 1915); INCITATION TO DESIRE (Chester Bicardi); THE DEAD MOTH TANGO (William Bolcorn); TANGO A DEUX  ( Nils Vigeland); TIEFERTANGO ON THE NAME OF Yvar Mikhashoff (Oliver Knussen); THE LONG AGO AND FAR AWAY TANGO (Joel Chadabe); TANGO VOICES (William Duckworth); TWO SENTIMENTAL TANGOS (Virgil Thompson, 1925); A ROSE FOR SCHOENBERG (James Sellars); THORN-TORN LIPS (Robert Berkman); NORTH(BERLIN/A TANGO) (Robert Ashley); THE MORE HE CRIES... (Blue Jean Tyranny); TANGO VIOLENTO (Larry Austin); SQUARE ROOT IMPRESSION WITH TEARS (Sinan Savashkan); TANGO IMPRINT (Noel Lee); TANGO SI (Betsy Jolas); TANGO (Tom Johnson); MARACAIBO (Ken Sullivan); NOT A BED OF ROSES (Arne Mellnaes); SONATA NO. 108 (John White); TANGO FOR JOHANNES (Dika Newlin); TRIPLE TANGO (Karl Aage Rasmussen); PERPETUAL TANGO (John Cage); Tango (Marlos Nobre); EXILES' CAFE TANGO (Michael Sahl); TANGO FOR YVAR (Serban Nichifor); CURRICULUM VITAE TANGO ( Lukas Foss); MACHINE TANGO (David Noon); TO TANGO OR NOT (Bernadette Speach); TANGO-MAXIXE (Otto Luening); TANGO MNEMONIC (Jo Kondo); TANGO FOR PIANOFORTE (Anthony Burgess); TANGO (Stefan Wolpe, 1927); Tangonetta (Poul Ruders); TANGO VARIATIONS (Ralph Shapey); PHILIP MARLOVE TRACKS FOWN YVAR'S LOST TANGO (Zoltan Jeney); TANGO (David Jaggard); TANGO NO TANGO (Jackson Hill); PERPETUAL TANGO (John Cage); THORN-TORN LIPS (Robert Berkman).


Some publications related to this event:
March and April, 1986. - 1986

 
 
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David Schirm
All The Glad Variety


Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point o ...