Music Program

Monday, December 1, 2003

$10 general, $8 Hallwalls members/students/seniors


Presented at:


Performance by The Paul Smoker Quartet featuring Paul Smoker (Trumpet, composition); Steve Salerno (guitar); Ed Schuller (contrabass); Phil Haynes (drums)
What Paul Smoker produced on his horn was unheard in these latitudes; his complete command of his instrument allowed him to play whatever extravaganza he would think of, harmonically as well as in terms of dynamics. Styles, modes and techniques of every era of the history of music—Baroque and Bebop, Structuralism and Storyville, Blues and Berio—Paul Smoker again and again managed to integrate them into the structures of his pieces. Equally mesmerizing were his chops which up to the end never gave out—neither in piercing highs nor in bottomless pedal notes. To the widely discussed question about the future development of the jazz trumpet, Paul Smoker's musical concept could definitely constitute a far-reaching answer." -Jazz Podium.

He carries a history of the music in his horn. Imagine an amalgam of Armstrong's bravura, Dizzy's go-for-broke gumption, Cootie's plunger-talk, Cherry's/Bowie's raggedy-ass attack, and the exhibitionism of a high-note specialist. He seems to come from everyplace at the same time." -Downbeat

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Sep. 22, 2017
through Nov. 3, 2017

David Schirm
All The Glad Variety

Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point o ...