Music Program

Saturday, November 5, 2005

Free admission

Co-sponsored/co-presented by:
Resurrection Music

Instinctual Eye — Gjerstad / Stephens / Norton Trio

Presented at:

Frode Gjerstad (alto saxophone, clarinets)
Nicholas Stephens (contrabass)
Kevin Norton (drums, vibraphone)

Visual inspiration transformed into sonic physical reality ...sound waves rubbing against one another, activated by rhythmic vitality. Instinctual Eye is based on the expanded colors possible with multiple woodwinds, multiple percussion and double bass, bringing together three veteran improvisers with long international reputations. This is a very sensitive ensemble bringing harmonies and colors into the music in a way that is quite unusual in the improvised music scene. Instinctual Eye is a trio with British bass player Nicholas Stephens, New York percussionist Kevin Norton and Norwegian reeds player Frode Gjerstad. Frode and Kevin recorded No Definitive (FMR) in 2003; a percussion woodwind duo performance that emphasizes the interaction of clarinets and vibraphone. Frode and Nick recorded their duo, North Atlantic Drift (Falcata-Galia) in 1997. Both Stephens and Gjerstad played with drum legend John Stevens (founder of the Spontaneous Music Ensemble, central to the British Free Improvised Music scene) for many years (in Frode’s case about 13 years). As a trio, Instinctual Eye brings together the experience of many performances, many recordings (for Emanem, FMR, Barking Hoop, Leo, Loose Torque, Music & Arts, Clean Feed, Cadence, etc.) and interaction with some of the most creative musicians on the contemporary music stage.

Some publications related to this event:
November and December, 2005 - 2005

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Sep. 22, 2017
through Nov. 3, 2017

David Schirm
All The Glad Variety

Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point o ...