publications
 
THE FILMIC ART OF PAUL SHARITS


Published in 2000
Curated by Nancy Weekly
Essays by Charlotta Kotik, Anthony Bannon, John G. Hanhardt

THE FILMIC ART OF PAUL SHARITS Burchfield-Penney Art Center and Buffalo State College, Buffalo, NY, 2000. [A thirty-two page color booklet published in conjunction with the exhibition of the same title. Includes an introduction by Nancy Weekly (Curator, Burchfield-Penney Art Center), the essay "Painter Behind the Celluloid" by Charlotta Kotik (Curator, Brookyln Museum of Art), the essay "Interrogating the Cinematic Apparatus: Notes on '3rd Degree' by Paul Sharits" by John G. Hanhardt (Curator, Solomon R. Guggenheim Museum), and the essay "A Sketch" by Anthony Bannon (Director, George Eastman House). Includes color photos of work by Paul Sharits, a chronology of Sharits' life and work, a checklist of the eponymous exhibition, a film program for the works presented at Hallwalls, and a list of faculty at Burchfield-Penney Art Center. The full exhibition was presented at Burchfield-Penney Art Center February 26-May 21, 2000. The booklet was designed by Karl Scheitheir of SKA Graphics Ltd.]

Artists associated with this publication:
Paul Sharits


Some events connected to this publication:
March 17, 2000 - PAUL SHARITS RETROSPECTIVE:
March 19, 2000 - PAUL SHARITS RETROSPECTIVE:
March 22, 2000 - PAUL SHARITS RETROSPECTIVE:
September 23, 2000 - PAUL SHARITS PANEL DISCUSSION



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IN THE GALLERY
from May. 13, 2016
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OGRE
Hareuhticks


As a long-established venue for free speech and freedom of expression, Hallwalls is pleased to present a new series of dynamic paintings by Cincinnati artist OGRE, each depicting historical figures from diverse eras who have all been—for whatever reason—deemed as "heretics."
 

John Peña
New Works


Peña's work operates across various media (including the ongoing "one cartoon each day" autobiography called Daily Geology) and across various emotional strata. In certain works, Peña illustrates a desire to engage and sometimes emulate the natural world, while in other works, he teases out the awkward reality and unavoidable pathos of the human condition.