Hallwalls Timeline
You can search the timeline for past events in one of two ways: look for events that happened on a particular date, a certain month or year, or search for an event using words or phrases.
 

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While we've made every effort to edit the timeline and have cross-referenced our content several times, there are undoubtedly errors. So please, if you see something, say something! We will rely on visitors to the site to help us to not only catch mistakes, but also to fill in the gaps. If you are an artist with more information, if you were in attendance at an event and have documentation that you would like to share with our archives, we invite you to contact us. Just as our events continue, this Hallwalls history project is a work in progress. We look forward to hearing from you!

Many thanks to the team of interns and volunteers who assisted us in this endeavor: Cally Alessi, Hannya Boulos, Ariel Brickman, Justin Chartrand, Amanda Chase, Katie Coyle, Beth Day, Amanda DeBoer, Amanda Dunker, Scott Jarrett, Linda Jules, Tracy Gladkowski, Rachel Good, Lynn Lasota, Lin Shu-Wen, Corey Mansfield, Lisa Muscato, Ayondela Noble, Rachel Patall-David, Shannon Schiedel, Ben Siegel, Talia Silveri, Hodari Vassell, Mariel Volk, Chris Williams, Charlotte Zoda.

The Hallwalls Digital Archives Project is co-produced by Hallwalls' Technical Director Bill Sack and Hallwalls' Media Arts Director Carolyn Tennant. It was made possible by a generous Digitization grant from the New York State Council on the Arts.

 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Mar. 10, 2017
through Apr. 20, 2017
 

Sarah Fonzi
Infrastructure Misappropriated


Sarah Fonzi is a Buffalo based sculptor and designer. Frequently drawing upon common building materials such as plaster and metal, Fonzi borrows imagery from diverse sources such as ornament, architectural details, and various everyday objects but tends to skew these sources and their appearance through specific reworkings of material.
 

Renee Lear
Every Shot from Dziga Vertov's Man with a Movie Camera as an Animated GIF


In Every Shot from Dziga Vertov's Man with a Movie Camera as an Animated GIF, Vertov's pioneering film Man with a Movie Camera is meticulously reorganized and reconfigured spatially as a series of animated GIF montages, projected large scale. One complete viewing of the GIF montages runs well over three hours—far exceeding the length of its source—contains every shot in the film, edit for edit, offering viewers an alternate way to experience this ...