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Our thanks to all volunteers and sponsors who helped make Artists & Models: STIMULUS such a successful and fun event. Visit our page to see some images and videos and read some reviews.
Myles Slatin
March 3, 1924—May 9, 2010

Myles Slatin, Ph.D., of Buffalo, retired UB English professor and long-time member and supporter of Hallwalls, died on May 9, 2010, after a long illness. He was 86.

Born in Queens, Myles attended Flushing High and Queens College and served in the Army Signal Corps during World War II, learning Japanese as part of a team that cracked enemy codes. After the War he earned his doctorate at Yale University with a study on Ezra Pound, then moved to Buffalo in 1952 when he became an associate professor in the University of Buffalo English Department, where he taught Romantic and modern poetry and was an early proponent of women writers and feminist activists. He also explored contemporary authors and popular fiction in his classes, which are fondly remembered by generations of students. As an associate dean in the 1960s, Myles was active in the University of Buffalo's transition into the SUNY system, recruiting numerous faculty members and participating in the recruitment of then UC Berkeley Chancellor Martin Meyerson as UB's new President. Myles was director of Lockwood Library from 1969 to 1973, during a period of student protests when the library experienced vandalism, including numerous small bombings. He retired from the UB faculty in 1994 after 42 years.

Long an avid art collector, tireless gallerygoer, and patron of local artists, Myles focused almost entirely on visual art after he retired from teaching literature, taking drawing and painting classes at UB and renting a studio on Buffalo's West Side to pursue his own art. He and his wife of 57 years, Diana Bluestein Slatin, a distinguished fine artist and fashion illustrator, were deeply involved with Hallwalls on both its Visual Artists Committee and Board of Directors. When Diana died in 2003, Myles generously invited friends who were so inclined to make donations in Diana's memory to Hallwalls, as many did. In the same spirit, Myles's surviving son Peter and other family members have indicated that memorial gifts in Myles's name may be made to either Hallwalls or Jewish Family Services of Buffalo.

Gifts to Hallwalls in Memory of our admired friend Myles Slatin will be acknowledged individually as well as publicly here, and we thank his family for their thoughtfulness in making this suggestion. As of June 9th, generous gifts in Myles's memory have been gratefully received from Nancy A. Hamilton, John M. Jablonski, and Harvey J. & Deborah Breverman.
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696
 
IN THE GALLERY:
From Jul. 30, 2010
through Aug. 31, 2010

Gallery hours:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

Hallwalls Members Exhibition: Faster Pussycat, Spill! Spill!

Fri., Nov. 6, 2009 — Fri., Dec. 18, 2009
AJ Fries
Ignoring The Sirens
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In a new series of predominantly monochromatic paintings, Buffalo artist A.J. Fries delves into the expansive space offered within seemingly banal moments. Water on tiles. A soap bubble. Water descending down a drain. Clouds framing a streetlamp. Fire. Horizontal blinds. Rendered with assiduous skill, they appear at first to be photo-representational images of ordinary moments—and they are. And they're not. While Fries has painted his subjects with an impressive seeming-reality, they are far less about realistic pictorial representation than about the ephemeral and gossamer moment captured in the images. His preference for "glorious black and white" reiterates their remove from pictorial realism and suggests their inclination toward another psychological and emotional space.

"Ignoring the sirens" is a literal and metaphoric allusion—the literal sirens passing by the studio window as urban noise or resisting the siren call of doing anything but remaining in the studio. Ignoring the sirens references the artist's commitment to the image at-hand, and the effort to realize not simply a pithy and convincing banality, but to pursue the state of mind and feeling within these painted moments. It can be said that Fries' apparent photo-realism is a deceptive ruse as he is not painting things so much as painting time.

A.J. Fries graduated with a BFA from Buffalo State College in 1995. His solo exhibits include Play With Me at Big Orbit's Soundlab in 2002, Living The Fantasy at Hallwalls Contemporary Art Center in 2003, New Works at The Burchfield Penney Art Center in 2005, Recent Paintings at The Nichols School in 2006, and Ignoring the Sirens at Hallwalls Contemporary Art Center in 2009. He has been included in numerous group exhibitions including Convergence at The Carnegie Art Center in 2001, 9<24 at Buffalo State College in 2003, New York State Collects Buffalo State College at The Burchfield Penney Art Center in 2004, Up Against the Wall at Rochester Contemporary in 2006, Beyond/In Western New York in 2007, and Remarkable at the Indigo Gallery in 2009. In 2001 he was awarded a three-month residency at the International Studio and Curatorial Program in New York City, and in 2007 he was awarded a full fellowship for a month long residency at The Vermont Studio Center. A.J. Fries lives and works in Buffalo, New York.