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Volunteers Needed for Artists & Models 2010!

Stimulus: the 2010 iteration of Artists & Models is coming on May 1 at Rock Harbor Yard. Hallwalls needs volunteers to make it happen. See this page for information about how you can help out!

Beyond|In Western New York 2010: ALTERNATING CURRENTS — Venues and artists announced
This biennial, multi-venue exhibition will present the work of outstanding artists from Western New York and Southern Ontario, responding to the regionally relevant theme Alternating Currents and its undercurrent of utopian power, both literal and metaphorical; reclamation or use of natural assets; visions of the future and the past; technological progress or intrusion; and the diverse demographic and social constructs of this region.

See our page for a listing of the venues and artists.
FROM THE ARCHIVES:
30 years ago at Hallwalls
Sun. Mar. 9, 1980
HALLWALLS COLLECTOR'S SERIES:
Presentations by Robert T. Buck Jr. of the Albright-Knox Art Gallery, on the aesthetic of collecting art, and Nina Freudenheim of Nina Freudenheim Gallery, on the commercial aspects of the same.
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696
 
IN THE GALLERY:
From Mar. 6, 2010
through Apr. 9, 2010

Gallery hours:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

Josh Greene
Character Descriptions
A new project by a San Francisco-based artist who, over the last several years, has realized his work in many distinct iterations. Recent projects include Service-Works: a small foundation he created that awards grants—based upon his income as a waiter in fine-dining restaurant—to other artists, starting an unlicensed therapy practice, attempting to sell a museum curator and his museum office, a collaboration with his wife which involved hiring Danish actors to play the two of them in a video, and creating a small book based on his family members writing about their least favorite projects he has done.

Heather Layton
Preparing To Lose
In a culture addicted to win/win, "we're No. 1" scenarios, Heather Layton's Preparing To Lose drawings are imagined as counter-narratives to the cultural norm. Her ambiguous and unidentified characters are fragile, but not fear-ridden. They are part of a team that is not going to win, but persist in trying.

Fri., Nov. 6, 2009 — Fri., Dec. 18, 2009
AJ Fries
Ignoring The Sirens
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In a new series of predominantly monochromatic paintings, Buffalo artist A.J. Fries delves into the expansive space offered within seemingly banal moments. Water on tiles. A soap bubble. Water descending down a drain. Clouds framing a streetlamp. Fire. Horizontal blinds. Rendered with assiduous skill, they appear at first to be photo-representational images of ordinary moments—and they are. And they're not. While Fries has painted his subjects with an impressive seeming-reality, they are far less about realistic pictorial representation than about the ephemeral and gossamer moment captured in the images. His preference for "glorious black and white" reiterates their remove from pictorial realism and suggests their inclination toward another psychological and emotional space.

"Ignoring the sirens" is a literal and metaphoric allusion—the literal sirens passing by the studio window as urban noise or resisting the siren call of doing anything but remaining in the studio. Ignoring the sirens references the artist's commitment to the image at-hand, and the effort to realize not simply a pithy and convincing banality, but to pursue the state of mind and feeling within these painted moments. It can be said that Fries' apparent photo-realism is a deceptive ruse as he is not painting things so much as painting time.

A.J. Fries graduated with a BFA from Buffalo State College in 1995. His solo exhibits include Play With Me at Big Orbit's Soundlab in 2002, Living The Fantasy at Hallwalls Contemporary Art Center in 2003, New Works at The Burchfield Penney Art Center in 2005, Recent Paintings at The Nichols School in 2006, and Ignoring the Sirens at Hallwalls Contemporary Art Center in 2009. He has been included in numerous group exhibitions including Convergence at The Carnegie Art Center in 2001, 9<24 at Buffalo State College in 2003, New York State Collects Buffalo State College at The Burchfield Penney Art Center in 2004, Up Against the Wall at Rochester Contemporary in 2006, Beyond/In Western New York in 2007, and Remarkable at the Indigo Gallery in 2009. In 2001 he was awarded a three-month residency at the International Studio and Curatorial Program in New York City, and in 2007 he was awarded a full fellowship for a month long residency at The Vermont Studio Center. A.J. Fries lives and works in Buffalo, New York.