Visual Arts Program

Saturday, September 13, 2003 — Friday, October 31, 2003

Co-sponsored/co-presented by:
National Endowment for the Arts and the Andy Warhol Foundation for Visual Arts

Jennifer McMackon


Presented at:
Hallwalls Project Rooms

PROJECT ROOMS: Jennifer McMackon: imaginationsaft
Working in the projects rooms during a month-long Aug 2003 Hallwalls Artist in Residence (HARP) residency, Toronto-based Jennifer McMackon will draw upon her multi-media background to produce a new exhibition entitled imaginationsaft (a word combining the English "imagination" and the German "juice"), in which Hallwalls’ space will be treated as a metaphorical landscape composed of large sculptural works, photographs, videos and large-scale transparent paintings. McMackon’s work explores explore the ways visual information (real and imaginary) crystallizes under certain conditions through a combination of the varied elements of her practice into a single set of formal constellations.
The playful appearance of McMackon’s work should be read through the lens of serious "play," a methodology that emphatically promotes the metaphorical underpinnings of the works and draws the diverse media used into a set of things that collectively create a constellation of shared sensations. The prevalent question with each new territory of metaphor McMackon creates is how much juice can be extracted or distilled from the particles of visual experience surrounding us in a certain place under certain conditions.

Some publications related to this event:
September, 2003 - 2003

t: 716-854-1694
f: 716-854-1696

Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

from Sep. 22, 2017
through Nov. 3, 2017

David Schirm
All The Glad Variety

Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point o ...