Visual Arts Program
 


Saturday, June 10, 2006 — Saturday, July 15, 2006

Frederick Hayes

Presented at:
Hallwalls

Frederick Hayes
Frederick Hayes
Frederick Hayes
Frederick Hayes

A Hallwalls Artist-in-Residence Project (HARP).

The work of Frederick Hayes involves itself with creating histories of specific environments based upon composite drawings that are a direct response to the original environment. Utilizing both original and found photographs, Hayes develops new drawings in a broad expressionist manner that depict the selected environments through both animate (facial portraiture) and inanimate (cars, neighborhoods, etc) images.

Hayes’ project for Hallwalls will consist of large-scale drawings and found materials that will coalesce to provide a composite of various African-American communities within Buffalo. The form of the installation will be shaped as a fragmented narrative combining actual source materials/images and their transformation into a re-imagined version of the community. Specifically, Hayes will draw from actual buildings, streets and communities throughout Buffalo to give form to a collective portrait of a place that is real, imagined and true.

As an African-American artist originally from the South, Hayes’ work has been an ongoing journey of discovery and rediscovery, framing his own set of experiences through the lens of other African-American communities throughout the country. Through this process, the commonalities of personal, regional and national identity are highlighted, while the pseudo-fictional rendition of Hayes’ final version draws his work into a space where broadly humanist ideas are highlighted, originating but not contingent upon their original source of inspiration.

To view publication, please visit our archives.


Some publications related to this event:
FREDERICK HAYES - 2006
June, 2006 - 2006

 
 
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Laylah Ali
Paintings and Drawings


Laylah Ali's work explores power dynamics and interpersonal conflict through compositions that position culturally, racially and sexually ambiguous figures in precarious, loaded, and unexpectedly humorous situations. Ali uses concise—even minimal—imagery that is specific in rendering and intent. While there are narratives in Ali's work, they are stories whose open spaces often give them the atmosphere of fables.