Visual Arts Program
 


Friday, March 10 — Friday, April 28

Sarah Fonzi

Infrastructure Misappropriated

Sarah Fonzi - <em>Infrastructure Misappropriated</em>
Sarah Fonzi - <em>Infrastructure Misappropriated</em>
Sarah Fonzi - <em>Infrastructure Misappropriated</em>

Sarah Fonzi is a Buffalo based sculptor and designer. Frequently drawing upon common building materials such as plaster and metal, Fonzi borrows imagery from diverse sources such as ornament, architectural details, and various everyday objects but tends to skew these sources and their appearance through specific reworkings of material.

For her exhibition at Hallwalls, she will be working on a new, site-specific installation that draws upon and extends her sculptural explorations, playing with form, material, and scale.

Fonzi graduated from the Savannah College of Art and Design with a concentration in Sculpture and a minor in Museum Studies (BFA 2008). Afterwards she worked for many years at the Griffis Sculpture Park and Essex Art Center in WNY.

Fonzi has been sculpting her whole life and continues to experiment with media and process. Since college, Sarah has exhibited in Atlanta, New York City, France, Buenos Aires, and Buffalo.

Most recently, she completed a public art commission for the downtown headquarters of Delaware North Corporation, organized by Resource Art, Buffalo.

www.sarahfonzi.com

 
 
341 DELAWARE AVE.
BUFFALO, NY 14202
t: 716-854-1694
f: 716-854-1696

 
GALLERY HOURS:
Tues.—Fri. 11-6
Sat. 11-2
Sun. & Mon. closed

IN THE GALLERY
from Sep. 22, 2017
through Nov. 3, 2017
 

David Schirm
All The Glad Variety


Though distilled into broad symbolic forms or abstract landscapes, David Schirm's work often springs from his own experiences during the Vietnam War and paintings may allude to the scenes of horrific and senseless battles, the strafing of weapons across a landscape, "whose laser-like blazes of fired bullets gave a distinctive hum of un-worldliness to the darkness." Though his depictions of landscape forms even touch upon the pastoral in their depiction and use of color, Schirm's original point o ...