HEY G - 2003_9.ForWeb.jpg September, 2003 - Hallwalls
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September, 2003


Hallwalls Calendar: September, 2003.

Artists associated with this publication:
James Allen, Wes Olmsted, Catherine Parker, John Pfahl, Wilbur Porterfield, Amos Sangster, William West, Peter Arvidson, Robert Blair, George Campos, Virginia Cuthbert, Robert Flock, Larry Griffis, Alexander O. Levy, Sunny Murray, Sabir Mateen, Raoul Bjorkenheim, Chris Massey, John Butcher, Rhodri Davies, Lizzie Finnegan, Lukasz Ronduda, Lech Kowalski, Dorota Kolodziejczyk, Dorota Glowacka, Pod Klepsydra, John Junkerman, Katie White, Virginia Woolf, Patrick Garland, Margaret Smith, Andrzej Wajda, Richard Wicka, David Brody, Jennifer McMackon, Wojciech Has, Yale Strom, Przemyslaw Wojcieszek


Some events connected to this publication:
September 5, 2003 - POWER AND TERROR: NAOM CHOMSKY IN OUR TIMES
September 6, 2003 - KINO POLSKI V
September 6, 2003 - KINO POLSKI V:
September 13, 2003 - David Brody Descent
September 13, 2003 - INVISIBLE ARCHIVES VOL. 4: 120 Years of Landscape
September 13, 2003 - Jennifer McMackon imaginationsaft
September 14, 2003 - John Butcher / Rhodri Davies Duo
September 14, 2003 - KINO POLSKI V:
September 19, 2003 - VIRGINIA WOOLF: A ROOM OF ONE'S OWN
September 20, 2003 - KINO POLSKI V:
September 20, 2003 - VIRGINIA WOOLF: A ROOM OF ONE'S OWN
September 27, 2003 - KINO POLSKI V:
September 27, 2003 - VIRGINIA WOOLF: A ROOM OF ONE'S OWN



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IN THE GALLERY
from Jan. 10, 2020
through Feb. 28, 2020
 

Sarah Sutton
Knots and Pulses


This exhibition by Ithaca-area artist Sarah Sutton will feature a series of monochromatic oil paintings that combine representational imagery with distortions and abstractions that create scenarios in flux. They are essentially landscape paintings, but Sutton's treatment of the landscape toys with its sense of space and the notion of the built vs. the natural environment.
 

Katie Bell
Abstract Cabinet


Katie Bell’s exhibition is a site-specific installation conceived of as a one-act drama starring anonymous artifacts. Functioning like a theatrical set, the gallery holds static characters that reference the interior architecture of corporate and commercial spaces. Sculptural objects are often fractured or untethered to a contextual structure. Functioning as a whole, the individual artefacts are a nod to players on a stage, held captive in space and time.